Archaia is known for backing some of the prettiest ponies in the comics business, and they found a fine looking stallion in MUMBAI. Shinde’s watercolor artwork gives the story a dreamlike quality, even when the blood is cascading out of bullet holes. The colors and varying sharpness of each panel add dimensions to Kadam’s struggle with depression and his fight to do at least one thing right. MUMBAI CONFIDENTIAL is an amazing story particularly since every page shows that Mohapatra and Shinde were made to tell it together. Here’s hoping we see more from this team, for there are undoubtedly more tales to tell from the streets of Mumbai.
Read the full review here and an earlier review of issues 1 and 2 that Avril did is here. You can also check out other reviews and articles about Mumbai Confidential here.
There are some initial/advance reviews at GoodReads too.
Sorry, blog’s not been updated much lately. Been busy with Mumbai Confidential pre-press work. It’s currently available digitally at http://bit.ly/mcfull on ComiXology and the print hardcover from Archaia will be out in March 2013. Issue #5 will be available on ComiXology tomorrow. So, buy, read, enjoy, and do leave a rating.
The digital edition has exclusive content not included in the print edition like side-quels (Animatrix style shorts), Illustrated prose stories and some kickass editorials by some of leading luminaries of both US and international comic book industry. You can read a free preview at the Archaia site.
Here are some blurbs for Mumbai Confidential:
“Gorgeously noir” — Ron Marz (Witchblade, Artifacts, Shinku, Green Lantern)
“Gritty art and powerful writing” — David Lloyd (V For Vendetta, Kickback)
“The original ‘bad boys’ of Mumbai” — Hindustan Times
Long back, I had written a silly rhyming story / poem for my daughter Adya called “Elaine and the Bug-eyed Bugaboo“. It was different from all that I had written before and I had a whale of a time writing it. Since last year, Devaki Neogi has been adapting it into a kid’s book that we hope to publish as an interactive app on the iPad once it’s done. I’m really impressed by all that Devaki has been able to do with the source material and breathe life into it. If we have a good response to this, I plan on expanding the series into a bigger narrative called “Elaine of Blueberry Lane“.
The first story is about a little girl and her invisible friend who along with her dog rescue the bugs of the meadow from an evil tyrant.
Once upon a time, Sid Kotian and I decided to create a pitch for a mix of mythology, post-apocalyptic dystopian fantasy and a healthy dose of kick-ass action. The result was something we called HELHAMMER. We shopped it around (and trust me it garnered interest at some fancy places), but due to various reasons it didn’t make it through to the finish line. Sid and I moved on to other stuff, but this was always the one that got away
Lately I’ve started working again on the script for this, because I’m absolutely in love with this world and its characters. For that reason, I won’t give away much of the plot (but I’m sure the astute reader will make the connection after one read) Just let me wrap up with this: The story has feuding gods, a wasteland wandering loner with a mysterious past, a severed head that talks and (my personal favorite) mutant hill-billy goat people with shotguns.
So here’s the five page pitch that we prepared for shopping around. Do leave us some comments/crits
As I mentioned earlier, Saumin Patel and I had collaborated on creating a short comic book homage to the work of the late Frank Frazetta for Chitrakatha website – a project by Saumin and Alok Sharma to produce a documentary about comic books in India.
Both Saumin and I are big fans of Frank’s work and personally for me, the first mental image I envision for high fantasy or sword and sorcery themes is always Frazetta-esque.
Don’t know if it ever made it to the Chitrakatha pages. Here it is in its entirety , for your viewing pleasure.