My interview is up at the See Brian Write Podcast site. I speak with Brian LeTendre about the craft of writing, comic books, my influences and how I got my start among other things. There are some unscheduled detours into analyzing social upheavals using Computational Fluid Dynamics 🙂 and other weird stuff.
Mumbai Confidential is a crime noir comic book series (about the infamous encounter cops of Mumbai) created by Saurav Mohapatra and Vivek Shinde [more…]
DHURANDHAR is a supernatural/occult comic book series (set in present day India) created by Saurav Mohapatra and Siddharth Panwar. Currently work on the first installment “THE MAN WHO RIDES TRAINS”, a 84 page black and white original graphic novel, is underway. [read more… ]
A high-octane adventure through the never-before-seen underbelly of Mumbai, ace CIA operative Ike Flint finds himself out of his element and out of his depth when tasked with recovering a downed NSA satellite deep within the biggest slum in Asia. None of his experience can prepare him for the wild and dangerous characters his salvage uncovers: a wheelchair-riding gangster kingpin hooked on John Wayne westerns; a brilliant bar dancer who can solve calculus problems before breakfast; a trigger-happy cop who shoots criminals with the same nonchalance as if he were grocery shopping; a religious cult that will do anything to protect its phallic totem; and a crack team of Jihadists searching for the very thing Ike is seeking.
I recently did an interview with Mukesh Singh (DEVI, Gamekeeper, Shadow Hunter) for Comics Waiting Room.
Mukesh was the artist for issues 1-5 of DEVI for Virgin comics and then moved on to Gamekeeper and Shadow Hunter. He was a Russ Manning award nominee for promising newcomer artist at San Diego Comic-Con 2008.
Currently he is working on the concept art for the MBX webisodes scripted by Grant Morisson.
On a personal note, even though I never directly worked with him, I’m a big fan of his work and believe that the comics world will be hearing more of his name in the near future.
While attending NYCC ’08, I was approached by Luis Medina, a filmmaker who was making a documentary about [sic] “People of color in comics”. While I made my views clear on that “classification” (the only part that made it into the final cut is at 02:06 on the video), it was kind of interesting to discuss about the role of race/ethinicty in the kind of stories we tell.
I stand by the views I expressed in the documentary i.e. a writer is not defined as an Indian writer or a latin american writer or a caucasian writer. There are good writers and then there are bad writers. 🙂