INDIA AUTHENTIC Returns

My very first comics gig for Virgin/Liquid was a series of one shots titled DEEPAK CHOPRA presents INDIA AUTHENTIC. IA dealt with stories from Indian mythology and each issue featured a story about a member of the Hindu Pantheon. Deepak Chopra provided a lead-in/write-up about the featured story.

I wrote 15 issues in total and it was a fun gig while it lasted. I like to think of IA as “Amar Chitra Katha on steroids” :) IA #15 KRISHNA, my last issue, was kind of lost in the turmoil surrounding the demise of Virgin Comics, or so I thought. Looks like the whole IA line is now available from as MYTHS OF INDIA. The issue #1 GANESHA is a free read and others are a dollar each.

And GANESHA has been featured on scribd.

For handy browsing, here’s a collection I made of all the issues I could find.

Comics in real life

Ever since I was a wee one sneaking a torchlight and a comic book under a blanket way past bedtime, I’ve grown use to the rant “Comics are for kids”. When I came over to the USA, I encountered the flip side of the coin – “Comics are an ivory tower meant only to be enjoyed by connoisseurs”. As is wont with me, I think both statements are oversimplifications issued with down right condescending snootiness.

Comics are a way of life, a part of life and they are everywhere. When Google launched its Chrome browser, guess what they did to get the point across – they commissioned the grand young “old man” of comics, Scott McCloud to make a comic book about it. They say a picture is worth a thousand words, a picture with speech balloons is worth a million in my book.

Remember those safety posters in schools? At least for me the most effective were the ones which were drawn like comic books. They spoke to me, made me think twice about stuff which I’d have dismissed as too S-Q-U-A-R-E. Human beings respond best to visual stimuli. A picture in itself, though potent, is just a moment frozen in time. A moving picture is too close an approximation of life and provides too much distraction to our other senses. A moving picture without sound is downright creepy, like a weird French mime. A comic book is the golden mean. Pictures with words, the bowl of porridge that is neither too hot nor too cold, the answer to the age old riddle of how to get the most across while saying/doing the least.

Most of us don’t even realize that we read comics frequently. Everytime you board an airplane and the “hawt” stewardess with ample bosoms in the skimpy skirt refers you to the safety brochure, guess what – you’re reading a comic book, albeit the most drab kind. The safety brochure is written with a specific end in mind, not entertain but to disseminate (ewww, I feel dirty writing that word) information. And it does its job admirably well.

So next time please try not to either sound dismissive or too snooty about comic books. They are a literary form and like any other they have varying degrees of accessibility for different people. Some don’t get it, some do and some spend entire lifetimes wondering if Batman is gay (He isn’t, not that there is anything wrong with it).

On a separate note, I hate mimes. I wish they’d just hold speech/thought balloons and get it over with.

Till next time.

Toodles,

mohaps

This is a repost from my past column in Nine Panel Grid at Comics Waiting Room.

Stick and Twisted – why writers should thumbnail or at least try to

When i started writing comics, I’d make short photo collages to help visualize the page/panel layout and caption spaces etc. these were rough visual guidelines, which I’d then translate to a script.

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Shown here are pages from DEVI #11 (W: Saurav Mohapatra / A: Edison George / E: Ron Marz). I never send these roughs to the artist. But Edison George’s final pages came pretty close to what I had visualized. With experience I have learned to keep the visualization phase completely in mental space, though from time to time, I do try to draw either stick figure layouts or do a photo collage before scripting the page.

It is my belief that a comic book writer should never enforce their view of what goes in a page to the artist. That is simply a very stifling experience for the artist and not a true collaboration. But sometimes if enough thought and TLC is put into the page design by the writer, most probably the artist would come up with the same or very similar solutions to the layout. After all it takes two (both writer and artist) to make a comic book :)

A Heaven for Trishanku

The website for my new graphic novel project “A Heaven for Trishanku” (drawn by R. Manikandan) is live at AHeavenForTrishanku.com. Mani and I did Sadhu volume 2 : The Silent Ones together and it is a real kicker to be working with him again.

As a story AHFT is very different from anything I’ve done so far. It’s the story of Anwesh Bannerjee, a student activist in the ’70s who along with his “comrades” tried to blow up a bridge to protest against the “Bourgeoisie”-controlled government and ended up accidentally killing an Indian Railways worker who was on duty. Haunted by this guilt, Anwesh surrendered and the court sentenced him to Life imprisonment. Now after more than four decades he is set free and sets about finding the last surviving kin of his victim to apologize.

The story is set against the backdrop of Modern India well on its way to becoming America Light and is represented in the story by Anwesh’s nephew Manu, a 16 year old living in an ideological void populated only by the materialistic swarm of cell phones and iPod’s.

This is the story of Anwesh’s quest for redemption. This is the story of Manu’s unwitting search for an ideological anchor. This too is the story of an unusual friendship between a sixty year old and a sixteen year old, both adrift in the churning ocean that is India today, itself searching for an identity.

About A Heaven for Trishanku

A Heaven for Trishanku (AHFT) is written by Saurav Mohapatra (DEVI, SADHU, MUMBAI MACGUFFIN, INDIA AUTHENTIC, JIMMY ZHINGCHAK, PHANTOM CHRONICLES) and drawn by R. Manikandan (SADHU, KSHATRIYA : BLADE FO THE WARRIOR).

Mumbai Confidential Chapter 1 Preview posted online

Mumbai ConfidentialChristmas came early this year. :) As promised, we are posting a preview of Chapter 1 of Mumbai Confidential Book 1Good Cop, Bad Cop“.

NOTE: The preview requires Flash and on low b/w connections might take a bit of time to load

So we’ll be back in Jan with new exploration and never before seen concept art and some other goodies. The MC Team has always valued our fans and community and this is our christmas gift to you. :)

If you want to link to it :

http://www.mumbaiconfidential.com/preview/previewchapter-1/.

Also we’re on TWITTER and FACEBOOK too, so drop us a ping if you feel like it.

Enjoy and Happy Holidays!

About Mumbai Confidential

Mumbai Confidential is a crime noir comic book series created by writer Saurav Mohapatra (DEVI, SADHU, MUMBAI MACGUFFIN, INDIA AUTHENTIC, JIMMY ZHINGCHAK) and artist Vivek Shinde (PROJECT: KALKI, SNAKEWOMAN) set in (of course!) the Indian city of Mumbai.

Jimmy Zhingchak on Wikipedia

Jimmy ZhingchakHa! saw this during a wikipedia browsing session. Kinda made my day! :) http://en.wikipedia.org/wiki/Jimmy_Zhingchak_(comics).

JZ was a real blast to write. I have fond memories of writing it. The character of Bhappi-da, the last of the DISCO gods is hands down my favorite ever, closely followed by Fukku Bhai from Mumbai Macguffin. Last I heard (from semi-realiable sources) UTV was making a movie out of it. Wonders of work-for-hire! I’m not involved in that. :( But will go watch the movie when (and if) it gets made.

Aieeee Saaalaaa!

Oh! and I used to maintain a kind of scrapbook of Zhingchak sightings on the wild wild web. You can find it here.

About Jimmy Zhingchak

JIMMY ZHINGCHAK – AGENT OF D.I.S.C.O., written by Saurav Mohapatra and drawn by Anupam Sinha, is a spoof and a homage of ’80s bollywood disco zeitgeist, detailing the adventures of a disco dancing superspy who fights Sir John and his evil F.I.R.A.N.G. for the Dept. of Internal Security and Covert Operations (D.I.S.C.O.) [more..]

Artdump

Lately I have been experimenting with a minimal black and white style for hardboiled crime novels. As befits my limited artistic talent, I have been working off of photo references. Here are some of the pieces I have done in recent times.

Albany Comic Convention update

my table

Thanks to Ron Marz, I got to attend the Albany Comic Convention on Nov 1st. This was my first time as an invited guest at a comic book show and I enjoyed it a lot. The excellent folks at That’s Entertainment (especially George and Pete) hooked me up with a ton of Mumbai Macguffin and Sadhu vol 2. – The Silent Ones TPB, so that I had some stuff to sell. Thanks to everyone who bought a copy. I managed to offload almost all the copies I had gone into the show with. Hope you enjoyed those, folks! :)

The show was small-ish but a ton of fun. I shared tablespace with Nick Taplansky, writer of AWAKENING (Archaia) and Dave Rodriguez, writer of STARKWEATHER: IMMORTAL (Archaia) and SHADOWGIRLS webcomic.

Had a blast with Ron and Matthew Dow Smith (Dr. Who, The Keep). Scored some free copies of Ron’s Samurai TPB vol 2. and Con exclusive cover WITCHBLADE (done by Matthew).

Towards the end of the show, chatted with Dennis Calero and found that we have a common friend. Small world, indeed.

So all in all, a good time. Looking forward to heading back there next spring in April 2010. Here are some pictures from the show.
before it begins
(Before the Show Started)

Ron's Table

(Ron at his table)

Nick T. with his book (courtesy Zach Rosenberg - http://nerd-quest.blogspot.com/2009/11/albany-shenanigans-and-little-comic-con.html)

Nick T. pimping AWAKENING (photo: Zach Rosenberg)

Read India Authentic #1 Ganesha and #2 Kali for Free

Liquid Comics has put India Authentic #1 GANESHA and #2 KALI online at Issuu.com. It came out back in 2007 and was my first ever gig :) so special place in my heart.

Wikipedia: http://en.wikipedia.org/wiki/India_Authentic_%28comics%29

DEEPAK CHOPRA PRESENTS INDIA AUTHENTIC is a series of one shots reimagining Indian myths and legends for an international audience.

Issue #1 GANESHA

Issue #2 KALI

Read Mumbai Macguffin for Free

Liquid Comics has put their back catalog (most of it) on Issuu.com and you can read Mumbai Macguffin for free.

Mumbai Macguffin is sort of like Three Days of Condor meets Slumdog Millionaire meets Lock Stock and Two Smoking Barrels :P
Enjoy! :)

MUMBAI MACGUFFIN

Writer: Saurav Mohapatra
Artist: Saumin Patel

Synopsis:

A high-octane adventure through the never-before-seen underbelly of Mumbai, ace CIA operative Ike Flint finds himself out of his element and out of his depth when tasked with recovering a downed NSA satellite deep within the biggest slum in Asia. None of his experience can prepare him for the wild and dangerous characters his salvage uncovers: a wheelchair-riding gangster kingpin hooked on John Wayne westerns; a brilliant bar dancer who can solve calculus problems before breakfast; a trigger-happy cop who shoots criminals with the same nonchalance as if he were grocery shopping; a religious cult that will do anything to protect its phallic totem; and a crack team of Jihadists searching for the very thing Ike is seeking.